Showing posts with label Effy Wild. Show all posts
Showing posts with label Effy Wild. Show all posts

Saturday, April 21, 2018

How I'm going with lifebook - April 2018

This is my 2nd year of doing the 'art course' Lifebook, I wasn't sure whether to take it again as last year I pretty much dropped out of the second half of the year. The thing that swayed me was lifelong access to the lessons, so even if I don't complete things through the year I can go back anytime and watch the videos and have a go.

One thing I'm doing differently this year is I'm not visiting the facebook group or posting my work to it - though I am posting on instagram. So I'm less influenced by the work other lifebookers are doing, and I'm not comparing my work to theirs. This year I'm much more on my own journey. Sometimes I follow the instructions closely. Sometimes I watch the first video and then go off on my own tangent and never watch the end of the lessson!! What matters to me is that I'm doing some art and trying new approaches.

I'm lagging behind, I've just started my week 12 piece, when the week 16 lesson is now available, and there are lots of lessons I've missed, some because they needed equipment I don't have- a gelliplate, or encaustic wax materials - some because another lesson grabbed my attention more. Some weeks there are 2 lessons. So as the year unfolds there's a real smorgasbord to choose from, you'd have to be very dedicated to do them all!!

The week 6 lesson was one where I went my own way - A heart full of happy with Tamara Laporte- was a whimsical girl in w/c and markers. The face was in 3/4 pose and I have a photo of my mum in that pose on my desk, so I used that as a reference for my piece, and it turned out very different in style and feeling to the lesson. Sometimes I think I'm just contrary, and that if the lesson had been to work from a photo of a family member I'd have decided to do something completely different.



The week 9 lesson - Friends are the flowers in life's garden with Effy Wild- was one that I followed closely except I left out the lettering.



Week 10 was a lovely lesson with (Aussie!) Laura Horn, laying down a loose background and then drawing in natural elements in ink using a satay stick. I loved the unexpected expressive mark making that reults from drawing with a stick, and I've been inspired to make some cards and do some sketchbook work based on this lesson...it's exciting to feel inspired!!!



The week 11 lesson was Grateful Heart with Annie Hamman. Annie was probably my favourite teacher from last year, and this was another lovely lesson. It's a very simple composition, but the texture and layering bring such richness to the piece. Her philosophy is to allow the piece to unfold, that once you start intuition and the expression of feelings will change the direction the work goes in. As she says - let's be brave and go ahead.


Sunday, March 26, 2017

Lifebook weeks 10 and 12

Week 10 was a lovely lesson from Effy Wild - a tree created with lots of layering and glazing. I folowed the demonstration videos very closely for this lesson, so I can't take any credit for the design right down to the colour choices. The glazing was amazingly effective, it's a technique where you have to plan ahead - creating underpainting to glaze over. When I paint on canvas it's usually not very planned, I kind of do a random underpainting just to cover the blank canvas, and then see what that suggests and turn it into something! There is a lot of relying on chance and hoping that inspiration will appear... On the other hand when I do a linocut it's carefully drawn out and planned in advance, so maybe I could get my head around planning out a painting to use glazing!



I spent so long on week 10 that I didn't get around to the week 11 lesson.

Week 12 was a watercolour with Susana Tavares. Watercolour is a medium I'm not confident with - particularly because you can't go over your mistakes! So I  was surprised how much I enjoyed this lesson and learned a lot. Again I followed the demonstration very closely.



I do feel a bit ambivalent about copying the lessons so closely. I guess in the past that's how artists learned to paint, by copying old masters. These days it's all about being original, doing something new, it's hard to put that attitude aside. If nothing else I'm putting together a folder of techniques that will be a great reference for me in the future.